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interviews | November 26, 2024

Q&A Series
Aurelia Driver


Ever wonder what makes our jury members tick? We asked them a series of questions that cover it all - professional insights, light-hearted fun, and even a few unexpected surprises! From their expert opinions to the quirks that make them who they are, you’ll get an up-close look at the brilliant minds behind the jury decisions.

In our first part, we proudly present Aurelia Driver, who brings her wealth of experience as a film and digital media executive producer based in Brooklyn, New York. Having recently led seen.tv's content team to an incredible 1 billion annual views, and with a history of producing over 200 commercials and music promos across the globe, Aurelia’s career is a testament to creativity and impact.


What's your favorite branded content video?

This is a really hard question, but I absolutely love the Nike maternity wear ad "Can you be an athlete," which features a diverse range of pregnant and breastfeeding women.

Two things are done brilliantly here:

Firstly, the script - it's a classic 3-act structure in 60 seconds! Act 1 asks the question, "Can you be an athlete?"; Act 2 unpacks the question; Act 3 answers the question. There's a clear story arc that's emotionally and narratively satisfying. 

Secondly, I love that this isn't one of those glossy, overproduced Nike ads. It looks totally native to social media - lots of user-generated content, lots of camera movement, some stock footage, all vertical. Big-name athletes like Serena Williams and Alex Morgan are seamlessly integrated with "ordinary" and non-recognizable women, enforcing the message that this brand is for all women and that the endurance demanded of pregnancy and motherhood is shared. It's empowering and uniting. So clever!


What work are you most proud of?

Earlier this year, I directed and produced a 40-minute documentary called "Ahmad Alive." The film started as a series of Instagram posts by an amazing young Palestinian content creator, Ahmad Ghunaim. Ahmad was documenting his experience of the war on Gaza, and we decided to use his IG videos as the building blocks for a longer narrative.  We've constructed a deeply personal, often harrowing film that is sometimes hard to watch but that is also relatable and hopeful. For me personally, this was an incredible opportunity to draw on my experience in both short-form and long-form storytelling. 

Watch the trailer here. 


What's the most stunning city you've shot in?

Cape Town, South Africa! I grew up in Cape Town, so I'm obviously a bit biased, but it really is an incredible city with a diverse range of shooting locations–beaches, mountains, lakes, vineyards, as well as stunning cityscapes and architecture. I'm lucky enough to have filmed hundreds of commercials in Cape Town for global brands like Toyota, BMW, Emirates, Canon, and Adidas, to name a few.

 

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interviews
August 20, 2026

Winner Interview
Martyna Wojciechowska and Jowita Baraniecka, Directors of the documentary “Stolen Children” 

 

We are proud to highlight the work of Martyna Wojciechowska and Jowita Baraniecka, directors of the documentary Stolen Children, which received the Grand Award in Documentaries & Reports, Best Use of Emotion, and Gold Award in Social Issues at the 2026 US International Awards.

Martyna Wojciechowska is one of Poland’s best-known journalists, television presenters, and documentary filmmakers. She is the creator and host of the acclaimed Woman at the End of the World, Poland’s most recognizable travel-documentary series, which has taken her to 68 countries across six continents. Her work focuses on human rights and the stories of women and communities whose voices are rarely heard, and has earned numerous international awards.

Jowita Baraniecka is an award-winning television producer and director with more than 20 years of experience in documentary and television production. A graduate of the University of Warsaw and the Film School in Łódź, she has worked on productions for TVN and created and produced projects filmed around the world, including Lena in the Caucasus. Her international work spans countries including the United States, India, South Korea, Brazil, Japan, and Cameroon.

Both filmmakers share a commitment to telling deeply human stories from places and communities that are often overlooked—and to bringing difficult, complex subjects to audiences with sensitivity and journalistic integrity.

It was through Woman at the End of the World that the two first met Tamuna Museridze. Her search for the truth about her own origins ultimately uncovered a vast network that had stolen and sold babies in Georgia for decades, affecting up to 100,000 families. What began as a single episode evolved into a feature documentary that has since received international recognition.

The jury praised Stolen Children as “an excellent blend of journalistic investigation and documentary storytelling” and “a compelling piece of storytelling and an important act of social accountability,” adding: “The film tells a fantastic and deeply moving story.”

In this interview, the two directors discuss how the project came to life, the challenges of telling such a personal and sensitive story, and what they hope audiences will take away from the film.