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interviews | July 04, 2024

Jury Insights Interview
Andrea Florence
 

We are thrilled to present an exclusive interview with Andrea Florence, an Emmy award-winning Executive Producer renowned for her exceptional work in high-rating factual shows across global broadcasters and platforms. In this interview, Andrea shares her valuable insights from her recent experience as a jury member for the documentary categories at the 2024 US International Awards. She discusses the documentaries that stood out to her the most, offering a glimpse into what makes a truly remarkable production in today's competitive landscape.


Thank you for being part of the 2024 US International Awards Jury! You and your fellow jury members watched a huge number of entries. How would you describe the overall quality of the entries?

My selection included a wide range of shows: some beautifully crafted with high production values, amazing photography, and witty scripts, while others were incredibly powerful and emotionally charged.

Please tell us more about your judging process.

When I judge, I find it essential to be in a quiet environment with no time pressures. To ensure fairness, I always begin by reviewing the background information to understand the context thoroughly. I believe in the importance of careful consideration, often revisiting sections of the performances and adjusting my scores as needed. Only after watching all the assigned videos, I finalize my scores.

Which submissions impressed you the most or still stick in your mind and why?

There were many powerful shows, but two documentaries from the Danish Broadcasting Corporation still stick in my mind. The documentary "This Tuesday I'm going to die" stays with me – it’s both heart-rending and thought-provoking, and it brings to light the many issues arising from assisted dying.

The other documentary, "CARTWHEELS & HEADACHES - A Children's Hospice from the Inside," though very sad, was very sensitively filmed and gave a portrait of amazing people working in this area.

Was it difficult to choose a Grand Award Winner?

Each had its own particular strength, making the final choice incredibly difficult. It took some time and repeated viewings to decide the final scores.

 

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interviews
August 20, 2026

Winner Interview
Martyna Wojciechowska and Jowita Baraniecka, Directors of the documentary “Stolen Children” 

 

We are proud to highlight the work of Martyna Wojciechowska and Jowita Baraniecka, directors of the documentary Stolen Children, which received the Grand Award in Documentaries & Reports, Best Use of Emotion, and Gold Award in Social Issues at the 2026 US International Awards.

Martyna Wojciechowska is one of Poland’s best-known journalists, television presenters, and documentary filmmakers. She is the creator and host of the acclaimed Woman at the End of the World, Poland’s most recognizable travel-documentary series, which has taken her to 68 countries across six continents. Her work focuses on human rights and the stories of women and communities whose voices are rarely heard, and has earned numerous international awards.

Jowita Baraniecka is an award-winning television producer and director with more than 20 years of experience in documentary and television production. A graduate of the University of Warsaw and the Film School in Łódź, she has worked on productions for TVN and created and produced projects filmed around the world, including Lena in the Caucasus. Her international work spans countries including the United States, India, South Korea, Brazil, Japan, and Cameroon.

Both filmmakers share a commitment to telling deeply human stories from places and communities that are often overlooked—and to bringing difficult, complex subjects to audiences with sensitivity and journalistic integrity.

It was through Woman at the End of the World that the two first met Tamuna Museridze. Her search for the truth about her own origins ultimately uncovered a vast network that had stolen and sold babies in Georgia for decades, affecting up to 100,000 families. What began as a single episode evolved into a feature documentary that has since received international recognition.

The jury praised Stolen Children as “an excellent blend of journalistic investigation and documentary storytelling” and “a compelling piece of storytelling and an important act of social accountability,” adding: “The film tells a fantastic and deeply moving story.”

In this interview, the two directors discuss how the project came to life, the challenges of telling such a personal and sensitive story, and what they hope audiences will take away from the film.